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NORMAN
SHANKLE
Tenor

2001 ARIA winner


"I don't think I have ever had such a surprise before in my life - it was totally out of the blue!  I don't know if there is a single word to describe how I feel. I'm just thrilled to be thought of in such a way."





ARIA Winners

SOPRANO:
ANNA CHRISTY
NICOLLE FOLAND
CHRISTINE GOERKE
NICOLE HEASTON
EMILY PULLEY
JULIANA RAMBALDI
CELENA SHAFER
ERIN WALL
JENNIFER WELCH-BABIDGE


MEZZO-SOPRANO:
STEPHANIE BLYTHE
MICHELLE DEYOUNG

JOYCE DIDONATO
VIVICA GENAUX
JILL GROVE
PATRICIA RISLEY


MALE SOPRANO:
MICHAEL MANIACI


COUNTER-TENOR:
DAVID WALKER


TENOR:
LAWRENCE BROWNLEE
ERIC CUTLER
JORGE GARZA
BRANDON JOVANOVICH
NORMAN SHANKLE
GREGORY TURAY
JON VILLARS


BARITONE:
NATHAN GUNN
FRANK HERNANDEZ
MEL ULRICH


BASS-BARITONE:
JOHN RELYEA

BASS:
OREN GRADUS
ERIC OWENS



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Norman Shankle hails from Winchester, Virginia USA, and graduated from Shenandoah University. His other awards include a 1999 Richard Tucker Career Grant, and the 1998 McAllister Award.

His formative years as a singer were connected with the San Francisco Opera. His first associations with the Company occurred in 1996 and 1997, when he was a member of the Merola Opera Program and additionally participated in two national tours with Western Opera Theater. In 1998 and 1999 he became an SFO Adler Fellow, during which time he performed Pylade in Iphigénie en Tauride, Ferrando in Così fan tutte and gave a recital as part of the Schwabacher Debut series. He made his official company debut as Valletto in L'incoronazione di Poppea in the summer of 1998 and subsequently appeared in Tristan und Isolde, Don Carlo, and Betrothal in a Monastery during the 1998/99 season, and Louise, Lucia di Lammermoor, Idomeneo and Don Giovanni in the 1999/2000 season.

Norman has also appeared in Luisa Miller with Washington Opera, and Roméo et Juliette with Washington Concert Opera. In 2000, he made his European debut as Count Almavia in Il Barbiere di Siviglia for WNO. In 2001, Norman made his debut with Staatstheater Stuttgart as Tito in La Clemenza di Tito. He has since joined the company as principal tenor, where his roles have included Don Ottavio (Don Giovanni), the Italian Tenor (Der Rosenkavalier), Count Almaviva (Il barbiere di Siviglia), Belfiore (La finta giardiniera), Telemaco(Il ritorno d’Ulisse) and Guidobald Usodimase (Die Gezeichneten).

Concert engagements have included Carlo in Rossini’s Armida at the Edinburgh International Festival, Handel's Saul conducted by René Jacobs at Brussels' Palais des Beaux Arts, Messiah with the Paul Hill Chorale, Britten's War Requiem with the San Francisco Choral Society, as well as appearances with the Essen Philharmonic, Choral Arts Society of Washington, and New Century Chamber Orchestra.

Other recent engagements have included Laios in Enescu's Oedipe at the Edinburgh International Festival and Tito in La clemenza di Tito with the Münchener Kammerorchester. Performances during the 2003/4 season include Belfiore in La Finta Giardinera, Giovanni in Cosa Rara, Don Ottavio in Don Giovanni and Belmonte Die Entführung aus dem Serail for Staatstheater Stuttgart.



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